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The tick 2001 version |
Alright, buckle up because this episode of Man Seeking Woman is a wild ride. Picture this: our boy Josh (played by Jay Baruchel) is your classic, awkward, geeky dude. He’s skinny, self-conscious, and basically the human equivalent of plain oatmeal.
Josh starts off by meeting a girl at a party. She seems nice enough, but there’s one fatal flawJosh is so boring that she literally dies of boredom. Yes, she flat-out keels over while he’s mid-sentence. No gun, no knife, no poison just pure, unfiltered monotony. The coroner probably ruled it “Death by Mansplaining.”
Despite this tragedy, Josh eventually meets a girl who somehow is immune to his lethal dullness. This is a breakthrough. They date, things go well, and for the first time, Josh thinks maybe, just maybe, she won’t die alone.
But then… dun dun dun a problem arises. Well, actually, Josh arises… too fast. He’s got the stamina of a Windows 95 computer trying to run modern software. His new girlfriend is left deeply unsatisfied, and let’s just say, her Yelp review would not be five stars.
Desperate to fix things, they take a trip to a sex shop, expecting to find something low-key, maybe a regular ol’ vibrator. But no. Josh’s lady sets her sights on "Kyle" a life-sized, muscular, sex-god doll that’s basically Arnold Schwarzenegger in his prime, minus the accent.
Kyle isn’t just some mechanical toy no, no, no. Kyle is a full-blown Chad with abs that could grate cheese. He’s charming, confident, and most importantly, he can last longer than Josh, which, honestly, is a low bar.
Josh is, understandably, shaken. His competition isn’t just some battery-powered gizmo it’s tall beefcake who exists solely to pleasure his girlfriend. Imagine coming home from work, and there’s Kyle, shirtless, probably oiling himself up while winking at your girlfriend.
Kyle isn’t just a sex toy. He’s a way of life. He’s the man Josh will never be.
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Baruchel as Josh, his lady, and sex toy, “The Kyle,” played by Aaron Hammond which is “just a big, jacked dude who fucks your girlfriend.” |
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Beefy Aaron Hammond as kyle doll the muscular sex doll |
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Things get awkward when Josh (Jay Baruchel) and his girlfriend, Claire (Liane Balaban), buy "The Kyle" (Aaron Hammond), a hunky sex toy. |
Watching Baruchel’s defeated, awkward, noodle-armed self standing next to Kyle, the human Greek statue, is what makes this episode pure comedy gold. It’s a hilarious, surreal take on male insecurity, toxic masculinity, and the terrifying power of adult super-toys.
Moral of the story? Sometimes, your competition isn’t another guy—it’s an anatomically perfect, hung, beefy stud named Kyle. ð ð
so in Beast Wars, we've got two main Transformer crews: the Maximals and the Predacons. Think of them as the descendants of the Autobots and Decepticons from the original series. Megatron, who's leading the Predacons, is like a modern-day version of the OG Decepticon leader. He's all about scoring this super powerful stuff called Energon with his crew. They've even got this cool artifact called the Golden Disk and a slick ship, the Darksyde, equipped with a transwarp drive.
On the flip side, you've got the Maximals, led by Optimus Primal aboard the Axalon, out to stop Megatron's Energon heist. But things go sideways when both ships crash onto this wild planet. Turns out, the place is swimming in Energon, but it's so potent that it's toxic to their robotic forms. So, they morph into organic beast modes for protection. Picture Maximals rocking mammal, bird, or fish forms, while Predacons opt for reptiles, amphibians, or invertebrates.
Before the crash, the Axalon shoots out these stasis pods with undeveloped Transformer forms inside. They end up orbiting the planet, and throughout the series, they keep crashing down, becoming a hot commodity for both sides. You see, Megatron can reprogram these protoforms to join his Predacon posse, adding more muscle to his team.
The Maximals and Predacons duke it out, kind of like Autobots vs. Decepticons. But here's the kicker: there's this dude Dinobot who flips sides. He starts off with the Predacons but switches to the Maximals. Later on, Megatron even creates a clone of him, trying to swing him back to the dark side.
The vibe among the Maximals is all about teamwork and playful bickering, especially from characters like Rattrap. On the other hand, the Predacons are always at each other's throats, fighting over who's in charge. This inner conflict makes them a bit less effective when it comes to taking down the Maximals.
Alucard (Japanese: ã¢ãŒã«ãŒã, ÄkÄdo; OVA romanized as Arucard) is one of the three main protagonists of the Hellsing series by Kohta Hirano, alongside Sir Integra and Seras Victoria. In the anime adaptations, he is voiced by Jouji Nakata in Japanese and Crispin Freeman in the English dub.
Alucard is the ultimate weapon of the Hellsing Organization, which defends humanity from vampires and other supernatural threats. He is fiercely loyal to the Hellsing family and obeys only their orders, often demanding, "Give me your orders, my Master" (åœä»€ãªãŒããŒããããæãäž»ãã€ãã¹ã¿ãŒ) until he receives clear instruction.
He is widely considered the most powerful vampire in existence, the result of a century of experimentation by the Hellsing family to create the "Ultimate Undead." Alucard has said he can appear in any form he chooses, and his various appearances reflect no particular meaning to him. Because he has absorbed so many souls, his identity has become fluid — though he typically presents as a man, his gender is essentially irrelevant to him.
His appearance is just as mutable: his hair length, eye color, teeth, and even physical body can shift at will. His pupils are usually blood-red but glow hot pink when he absorbs Schrödinger in the OVA. His teeth may shift from human-like to razor-sharp, shark-like fangs. Even his clothing regenerates with him, as it's considered part of his form. His arms may stretch unnaturally long, and his signature white gloves — marked with a magical pentagram and occult inscriptions — remain consistent across all transformations.
The symbols on his gloves include the phrases:
Hellsing
Hells Gate Arrested
Gott Mit Uns ("God With Us")
And Shine Heaven Now
These are surrounded by a Theban alphabet inscription that, when decoded, repeats the same phrases. The bottom of the symbol includes a square with lines resembling a ladder.
Normal Form: His most common appearance — a tall, broad-shouldered man with short, jet-black hair. He wears a Victorian-style outfit: a red cravat, black suit with red buttons, long red overcoat with shoulder ruffles, and riding boots. He often wears a red wide-brimmed hat and round, tinted sunglasses.
Restraint Forms: Alucard can release different levels of his power by lowering his "restraint levels," unleashing more terrifying forms.
Young Girl Form: A mysterious, childlike female form that hints at his complex identity and past.
Count Form: A more traditional vampire look resembling the classic "Dracula" archetype.
Alucard is an immensely powerful and terrifyingly effective being, capable of annihilating most supernatural threats without even accessing the full extent of his abilities. Often, he allows himself to be harmed—only to regenerate effortlessly as a means of psychological warfare. His powers stem both from his vampiric nature and the Hellsing Organization’s decades of occult experimentation on him.
Alucard possesses colossal physical strength. His iconic firearms—the Jackal and the .454 Casull—are too unwieldy for any normal human to wield, yet he handles them effortlessly. He's destroyed supernatural constructs with his bare hands, such as Tubalcain Alhambra’s enchanted cards, and has ripped through armored humans as if they were paper.
Alucard moves faster than the human eye can track. Only opponents like Anderson, Walter, and Tubalcain have managed to keep up. His reflexes are unparalleled—most notably catching Rip Van Winkle’s "magic bullet" between his teeth.
Alucard can endure extreme damage without flinching. He’s walked away from being shot with heavy artillery, crashing high-speed aircraft, and being hurled through skyscrapers. Injuries that would utterly destroy lesser beings are nothing more than minor inconveniences to him.
Alucard, like all vampires, feeds on blood. He can consume it directly, using elongated fangs and a serpent-like tongue. His feeding can range from traditional neck bites to fully devouring his victims.
If deprived of blood, Alucard enters a dormant state. He was found by Integra Hellsing in such a state after ten years without feeding, yet fully intact.
He can manipulate blood that’s been spilled—shaping it into weapons or constructs—though he cannot influence blood still within living bodies.
One of his most potent traits. Alucard regenerates from virtually any injury, even holy or silver-based damage. Though holy weapons slow his recovery, they never stop it entirely.
Alucard has a supernatural "third eye" that enhances perception. He can see over long distances, detect enchantments, and even perceive supernatural identities. However, illusions—such as Tubalcain’s clones—can still obscure his sight if not actively using this ability.
He communicates mentally with his fledgling, Seras Victoria, across any distance.
Alucard has demonstrated telekinetic control, such as slamming doors or launching enemies through the air. He even moved the HMS Eagle across the ocean with sheer force of will.
He can vanish and reappear instantly, though his range has limitations. Notably, he cannot teleport across large bodies of water.
By locking eyes with a human, Alucard can enthrall them completely, rendering them compliant to his will. In this trance, their eyes glow red, and they enter a euphoric daze.
Alucard claims that "appearance and shape hold no meaning" to him. He has manifested as a child, a young girl, a cloud of bats, a demonic hound, and pure darkness.
Alucard can transform into dark mist, allowing him to avoid physical attacks completely.
While usually humanoid, Alucard is made of an amorphous, otherworldly darkness. This form is resistant to conventional weaponry and can be used as a weapon itself.
He can pass through solid walls or barriers at will.
Alucard has run up vertical walls, leapt incredible distances, and descended from great heights without issue.
Alucard can summon and disperse fog, using it to conceal his approach, as demonstrated during his return to London aboard the HMS Eagle.
By feeding on victims, Alucard not only consumes their blood but absorbs their souls and memories. These souls grant him enhanced knowledge and form the foundation of his immortality. Each soul acts as a reserve life—allowing him to regenerate from fatal wounds by sacrificing one.
Over centuries, Alucard accumulated millions of souls, making him nearly impossible to kill by conventional means. However, during the London Incident, the release of Level Zero separated these souls, rendering him vulnerable. Only one soul remained—his own.
After unknowingly consuming Schrödinger, Alucard was rendered non-existent—neither dead nor alive—due to Schrödinger’s quantum nature. Trapped in an undefined state, Alucard “disappeared.” Only after killing all other souls within himself did he regain individuality and returned after 30 years, now capable of existing “everywhere and nowhere.”
Alucard can summon the souls he has absorbed as familiars. Upon releasing Level Zero, he unleashes all stored souls in battle—including:
Baskerville: A demonic black hound with immense destructive capability.
Tubalcain Alhambra: Wielding spectral playing cards.
Rip Van Winkle: Wielding her enchanted musket that fires homing “magic bullets.”
These familiars are loyal extensions of Alucard’s will and are sacrificed as needed in battle.
Upon fully unleashing Level Zero in London, Alucard flooded the city with a tidal wave of the souls he had consumed—an apocalyptic vision of death dubbed "The River of Death."
To prevent his overwhelming power from running unchecked, Alucard is bound by the Control Art Restriction System. Overseen by the "Cromwell Approval," this system gradually unlocks his power in stages:
Level 3, 2, 1: Partial unsealing—can be done at Alucard’s discretion.
Level Zero: Complete unsealing—requires his master's command and the recitation of the “Bird of Hermes” psalm.
“The Bird of Hermes is my name. Eating my wings to make me tame.”
This incantation symbolizes Alucard’s self-imposed restraint and loyalty to the Hellsing family. At Level Zero, Alucard becomes a walking apocalypse—unleashing every soul he has ever absorbed.
One of Kurama's core abilities is the accelerated growth of plants. With a surge of demon energy, he can cause seeds and sprouts to grow into towering trees or sprawling forests within seconds. He often uses this to conceal his presence, trap enemies, or create barriers, while maintaining full control over the plants he summons.
Demonic Plant Manipulation
Kurama’s primary combat style centers on manipulating demonic plants from both the Human and Demon Worlds. These plants, often dangerous or carnivorous, respond only to users with strong demon energy—making Kurama a master of this rare art.
Death Tree (ShokuyÅ Shokubutsu / é£åŠæ€ç©)
This terrifying plant from the Demon World is a root-based organism that sprouts massive mouths at the end of each root. It secretes acidic saliva capable of dissolving flesh and bone, and it instinctively attacks anything that moves. Kurama used it once to intimidate Ura Urashima during the Dark Tournament, showcasing its horrifying potential.
Floating Leaf (FuyÅka no Makai Shokubutsu / æµ®èç§ã®éçæ€ç©)
These appear as wing-like leaves that grow from Kurama’s back, resembling a butterfly’s wings. They function as gliders, allowing him to control his descent or stay airborne during battle. First seen during the group's descent into the Demon World to avenge Yusuke's death, the Floating Leaf appears again during Kurama's aerial maneuvering in the fight between Yusuke and Sensui. Though unnamed in the English dub, Kurama refers to it as a demon world plant.
Binding Fist of the Demonic Vine (JuryÅ YÅzan Ken / æš¹éåŠæ¬æ³)
This technique forms a vine with thorns that wraps around Kurama’s arm, acting like a sword or whip-blade. It's similar in nature to his iconic Rose Whip, but with more focus on close combat. He used this attack during his clash with Sensui, although earlier in the series, he employed a related move known as Leaf Blade. Many speculate that this technique is created by intertwining multiple rose whips into a single, devastating weapon.
SesshÅmaru (
Unlike many other yÅkai, SesshÅmaru had no interest in possessing even a single shard of the Shikon Jewel to enhance his powers and considered yÅkai who sought its abilities only to strengthen themselves as pathetic and weak. Despite the lack of interest towards the Shikon Jewel, he longed to end Naraku's life due to personal reasons. On his journey, he is accompanied by a two-headed dragon named A-Un, an imp yÅkai named Jaken, an orphaned human girl named Rin, and eventually Sango's younger brother Kohaku. On several occasions throughout the series, SesshÅmaru's group happened to encounter Inuyasha's group while both teams were hunting down Naraku and SesshÅmaru more or less willingly helped out Inuyasha and his friends which he always claimed as not have been his actual intentions in any of such situation.
SesshÅmaru is a major character in the Inuyasha franchise. He started off as a villain, but he gradually became an anti-hero who is allied with the main heroes. He is the firstborn son of TÅga and the older half-brother of Inuyasha, and is an extremely powerful full-blooded demon who is feared through the feudal land of Japan.
Unlike most demons seen in the series, he showed no interest in possessing any of the Shikon Jewel shards, feeling confident of his own strength and seeming to find the use of the gem to enhance one's power distasteful. On his journey, he is accompanied by a two-headed dragon named A-Un, a demon imp named Jaken, and an orphaned human little girl named Rin. Years later, he eventually marries an adult Rin and has two twin daughters with her, Setsuna and Towa.
He is voiced by Ken Narita in Japanese and David Kaye in English, the former of whom also voices Jeremiah Gottwald, Dr. Stylish and Shalba Beelzebub. In the English version of The Final Act, he is voiced by Michael Daingerfield, who also played Gordon Godfrey in Smallville, Unicorn in Iron Man: Armored Adventures, Joe in Barbie & Her Sisters in the Great Puppy Adventure, Krux in LEGO Ninjago: Masters of Spinjitzu, and Johann Trinity in Mobile Suit Gundam 00.
SesshÅmaru appears handsome and frail-looking and at the same time, appearing as a tall and slender young man. He has fair skin with pointy ears, golden eyes with slit pupils, and waist-length white hair with short bangs. He has a crescent moon on his forehead that can be seen beneath his bangs, two stripes on each cheek, and a magenta stripe on each eyelid. When he uses his Dakkoso three stripes appear on his wrists.
SesshÅmaru's true form is a giant white dog with markings similar to the ones he has in his human form. His eyes become red with blue irises; the yÅkai marks on his body widen and become more apparent the stripes on his cheeks which are usually smooth become jagged and change into a somewhat fiercer color while his mokomoko wraps around his body and extends into his tail.
SesshÅmaru appears as a handsome, frail-looking, tall and slender young man. He has fair skin with pointed ears, slanted gold eyes with slit pupils, and knee-length silver hair with short bangs. He has a violet crescent moon on his forehead that could be seen beneath his bangs, two magenta stripes on each cheek, and a magenta stripe on each eyelid. When he used his DokkasÅ, three magenta stripes appeared on his wrists. Like Inuyasha, his canines are fangs (although they usually weren't visible unless he transformed) and his fingers are tipped with claws, although unlike Inuyasha his could secrete a corrosive poison. For most of the series, SesshÅmaru had only one arm, due to his fight with his brother. Towards the end, he regained his left arm after getting his new sword.
SesshÅmaru's true form is a giant silver dog with markings similar to the ones he had in his human form. His eyes become red with teal irises, the yÅkai marks on his body widened and becomes more apparent, the stripes on his cheeks which are usually smooth became jagged and changed into a somewhat fiercer color, and his mokomoko wrapped around his body and extended into his tail. He only fully transformed to his yÅkai form three times: once during a battle with Inuyasha, resulting in the loss of his left arm,again when he met his mother,and during the battle against Magatsuhi.
SesshÅmaru's armor includes a spiked pauldron that covers his left shoulder attached by red ropes to the upper section of his black cuirass with "lotus petal" faulds that possess light gray trim. When damaged, the armor automatically regenerated itself using yÅki. Both his armor and his long yellow flowing sash with violet details have a decided Chinese influence, as opposed to the customary Japanese armor and obi. His clothing consists on a white kimono with a red and white cherry blossom flower crest at the collar and sleeves, showing that he is of royal birth, a white hadagi undershirt, and a white sashinuki hakama which are gather at the ankles, producing a "ballooning" effect. His footwear consists of black ankle-high boots, also reminiscent of Chinese influence. On his right shoulder was his mokomoko-sama, the fur and tail of his true form which he retained in his humanoid form.
As a pure-blooded daiyÅkai, SesshÅmaru is exceptionally powerful, having inherited his yÅkai father's abilities more completely than his hanyÅ half-brother, Inuyasha. The magnitude of his power has led Naraku to consider him the perfect yÅkai and Totosai eventually suggests that he has come to surpass even his father Toga. The level of his demonic powers are such that he is can nullify demonic auras in an instant by touching the object that has been possessed. For example, even though it remained corrupted after KaijinbÅ's death, SesshÅmaru exterminated TÅkijin's demonic aura effortlessly with his bare hands. It was also presumed that, apart from TÅga himself, SesshÅmaru was the only known yÅkai who could possibly control SÅ'unga, something which Inuyasha couldn't.
His air of aloofness and indifference was a product of dignity that only one of such rare demonic power could possess. SesshÅmaru was more or less emotionless, with only anger, annoyance, and dissatisfaction showing on his face. Because both his heart and body were so strong, he had no desire whatsoever to own the Sacred Jewel, nor to conspire with allies. SesshÅmaru even responded sarcastically towards Naraku, who had assumed an air of impudence due to his increased demonic power.
In battle, he judged his enemy's power level and attacked with the minimum power necessary. Anyone in his way was considered an enemy he would exterminate without hesitation. He did not hold back his power, even against women. He rationalized that all his prey was the same, and defeated them accordingly. For one with such pride in his power, cooperation was proof of weakness, and being alone was a condition for the strong. Once he judged someone as an obstacle, he was quick to kill without hesitation. SesshÅmaru had a very inquiring mind when there was something he cared about, but at the same time, he had almost no tenacity of purpose. If he became interested in something else, he would arbitrarily turn his back on what he was doing at that time, even during battle. Just like his fighting style, he was quick to make decisions and act on them immediately. Despite this cold, calculated approach to combat, he also displayed a certain level of honor. When Sara Asano stole the Tessaiga from Inuyasha and offered it to him, he refused to accept it, preferring to earn the sword on his own merit without help from anyone.
SesshÅmaru was obsessively proud of his father, TÅga, of whom the whole yÅkai world was in awe. Because he respected his bloodline so much, he despised Inuyasha as well as Inuyasha's human mother Izayoi. He insulted Naraku, who tried to take advantage of SesshÅmaru's power. Anger welled up in his heart for not being able to use Tessaiga, the sword that could cut a hundred yÅkai in one sweep which was left by his father, whom he highly respected, to Inuyasha. SesshÅmaru held resentment towards his father for having left Tessaiga to Inuyasha, whose power was weaker than his own. However, over time, SesshÅmaru came to grasp why his father gave him Tenseiga, and let go of his disgust towards his half-brother, even showing strong concern for him in rare moments. He refused to use Bakusaiga on Inuyasha when even Magatsuhi noted it was the obvious choice to make, and in the third movie, it was hinted that he actually did care about Inuyasha but refused to admit it when he was protecting him from SÅ'unga's "Dragon Twister" attack. SesshÅmaru had stated that he sought only to fight the strongest beings alive and how he had wanted to fight his father and defeat him. SesshÅmaru's love for his father was so great that even though he inherited the (at the time) worthless (in his mind) Tenseiga, he kept it around him for sentimental value. During the brief period Tenseiga was stolen from him in the third movie, he stated Tenseiga was not a sword he would miss if he lost it, if not for his father.
He used to feel nothing for anyone, but meeting various people, such as the ever-changing Inuyasha, Naraku with his numerous proposals, and the all-alone Rin, has brought a change to his heart. After he saved Rin and became the true owner of Tenseiga, he started to show feelings behind his heartless and cruel words. He stopped the demonic Inuyasha's wildness by controlling his power, and he looked at him like an older brother reprimanding a younger brother, though he claimed he would kill Inuyasha, despite his actions showing the opposite. There was even a time when SesshÅmaru was angry at Inuyasha for rampaging around their father's grave, but he set his sword aside, before striking him with only his fist. By setting his sword aside, SesshÅmaru showed he was merely reprimanding Inuyasha for desecrating their father's grave, instead of actually trying to injure or kill his younger brother. SesshÅmaru did not even hit him all that hard, or Inuyasha would have been injured. He even refrained from killing Kohaku when he could easily have done so, so when he looked in his eyes and saw the emptiness and that he had given up everything it became pointless.
When Kagura was injured, SesshÅmaru originally intended to leave her in the river she was drowning in, but when Rin fell in trying to save her and Jaken followed Rin, SesshÅmaru pulled all three from the river. He stayed there afterwards, and warned Kagura not to do anything that would get her killed. Later however, before Kagura's death, SesshÅmaru sought her out and considered using Tenseiga, only to conclude that Tenseiga couldn't save her.
He had also been shown saving Inuyasha's friends on several occasions. On his way to Mount Hakurei, SesshÅmaru saved Kagome, Miroku, and Sango from the poison master Mukotsu, one of the Shichinintai, but only claimed that he killed Mukotsu because he would not answer his questions. He also revived a young otter yÅkai's father, claiming that it was the will of Tenseiga.[11] Another example was when Inuyasha and his companions were involved in a fight with the "water god" Numawatari; when SesshÅmaru arrived, he insulted Inuyasha's inability to kill a "low life demon", and then easily dispatched Numawatari using his MeidÅ Zangetsuha ability, leaving straight after.[12]
Also, when Byakuya, Naraku's newest incarnation, was about to take Kohaku, who had one of the last three shards of the Shikon no Tama, back to Naraku, SesshÅmaru appeared and launched a ranged MeidÅ Zangetsuha (still in the crescent moon shape), barely missing him. Byakuya fled, claiming that he did not want to die, and commented on how it was so unlike SesshÅmaru to save someone. Thereafter, SesshÅmaru seemed to have taken Kohaku under his protection, albeit in his typical grudging yÅkai-slayer fashion. Later, when Kohaku's shard was tainted by Magatsuhi, SesshÅmaru attempted to save Kohaku at the expense of great injury to his arm.[13]
It was his deep compassion that caused Tenseiga to be reforged as a weapon. Its offensive powers were locked until SesshÅmaru was able to show true compassion. In his battle with MÅryÅmaru, the villain insulted the dying Kagura, which angered SesshÅmaru, and he shattered MÅryÅmaru's indestructible shell (and his only weapon in the process). Acknowledging the yÅkai's growth because he was defending a dead person, Tenseiga called to its creator to reforge it as a weapon. However, he still retains traces of his former ruthlessness, having entered a mountain belonging to ogres and killing all of them mercilessly to practice and develop MeidÅ Zangetsuha. Later, to show his compassion and respect for his father, he gave the offensive powers of his sword to Inuyasha (albeit in his typical fashion), in accordance with his father's wishes, recognizing his brother's worth as the heir to the sword.
Despite his growing compassion, he, like his brother, used impolite Japanese. He addressed strangers or people he does not like with "kisama" (貎æ§), which, like "temee" (æå), was an offensive form of "you", though still more formal. He addressed himself with either the polite "watashi" (ç§), or "kono SesshÅmaru" (ãã®
SesshÅmaru, while still merciless, completely despised brutality as shown in the fourth movie, when KyÅra repeatedly suggested that they are similar in finding sadistic enjoyment in ending people's lives, SesshÅmaru replied with extreme scorn and disdain. In fact, when SesshÅmaru did kill enemies, he did it in a quick and efficient manner, disregarding any form of unnecessary violence.
After marrying Rin and becoming a father, SesshÅmaru has been noted to have become more tolerant by TÅtÅsai; an example was when Jaken asked SesshÅmaru if he was alright to leave his daughters after his fight his Kirinmaru, he told simply Jaken to speak no more of the matter rather than striking him like he did in the past. He is also more open than before, but not quite an open person overall; when Jaken asked SesshÅmaru about Akuru after running into it a second time, he simply told Jaken to ignore it as Jaken wasn't getting the hint that SesshÅmaru had no intention to obtaining Akuru's pinwheel as per Kirinmaru's orders. Despite this, SesshÅmaru can also be demanding as a parent. When Setsuna stated she hasn't mastered her Yukari no Tachikiri, SesshÅmaru, upon hearing she wants to save Rin with her new weapon, cuts her Dream Butterfly, severely limiting the time Rin has left to motivate Setsuna to quickly master her new weapon.
In the years since Naraku's defeat, SesshÅmaru has shown himself to be much more devious and cunning than he was previously. Like his father before him, SesshÅmaru has shown himself to be willing to employ strategies to ensure his daughters' growth along with theirs and their mother's survival over a stretch of years, deceiving Zero and Kirinmaru and carefully manipulating them and lying to them to ensure the survival of not only his daughters and wife, but Kagome, Inuyasha, and Moroha as well, thus displaying how far he will go to protect his entire family. This is in stark contrast to the impulsive, albeit observant, young man that he was during the hunt for the Shikon Jewel.
SesshÅmaru encountered Jaken when he was passing through a distant land. A large yÅkai was wreaking havoc amongst Jaken and other yÅkai resembling him when SesshÅmaru killed the yÅkai with his mere claws. Despite Jaken's display of immense gratitude, SesshÅmaru claimed he was only passing through. SesshÅmaru walked to a nearby waterfall and pulled out the Staff of Two Heads. He told Jaken that if he was able to wield the weapon, he may follow him. Jaken deeply respects and always praises SesshÅmaru, much to SesshÅmaru's annoyance. At times, he gets too carried away and winds up insulting SesshÅmaru, which usually leads to a couple of bumps on the head. Jaken is condescending to all but SesshÅmaru. Jaken is (reluctantly) aware of SesshÅmaru's compassion toward Rin, he knows that he, too, must responsibly protect her or else face the wrath of his master. Despite his abuse, it appears that SesshÅmaru does care for Jaken: although regularly threatening to kill Jaken, he has never followed through whether it was when Jaken failed to accomplish a task or when Jaken talked too much. SesshÅmaru even resurrects him after he was killed by KaijinbÅ while having other priorities and he likewise left Jaken behind for his own safety while fighting Magatsuhi.